Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

The Origins of Glass Art

Monday, October 26, 2009 · 0 comments
Cut glass and glass blowing production came from ancient techniques and were gradually refined over the ages. Cut glass objects were used as commodities, gifts, and jewelry in past millennia. Today exquisite cut crystal is sought after for its heirloom qualities and gifting allure.

Natural glass, like obsidian, is a dense volcanic glass, and has been used by man for millennia. To early man, obsidian glass was an extremely rare and valuable commodity, Because of the way volcanic glass fractures, sharp edges occur. This inherent quality of natural cut glass was put to use and was often made into sharp spear points and blades.

Man-made rudimentary glass was made from silica sand, plant ash and lime. Over time it was discovered that if glass was heated until it became semi-liquid, it may be molded or shaped and left to cool into a solid new piece or vessel. In ancient times glass pieces were valued as a substitute for precious stones, gems, and gifts.

During first century BC, the craft of melting and blowing glass into useable objects was developed. Glass pieces and items gradually became more common after the discovery of glassblowing. Objects such as vases, bottles, and cruets were mouth blown and mold blown during the Roman Empire, usually for ordinary purpose and daily use.

Common glass normally has a greenish hue. The green tint is caused by miniscule amounts of iron impurities in the sand used to make glass. Glass producers learned to make decorative and colored glass by adding metallic compounds and mineral oxides such as cobalt. Colored glass of reds, blues and greens became prevalent. After craftsmen learned to score and cut glass, they found clear glass refracted light in spectacular fashion. Thus, clear cut glass became popular, and demand for colored glass plummeted.

Around 1000 AD, a new development was made in glassmaking. The glass making component of soda-lime, was replaced by potash obtained from wood ashes. From this time on, glass from the northern part of Europe differed greatly from that made in the Mediterranean area, where soda-lime remained in common use. Centuries later in Bohemia, ashes from beech trees were used. The production of Bohemian "forest glass" was progressively refined over the years.

During the 11th century new ways of making sheet glass came about in Germany. Glass blowers would blow spheres, and then form them into cylinders. They would cut the glass while still hot and then flatten the glass into sheets. Glass makers in Venice, Italy improved this method in 13th century. By the late 1300's there was as many as 20 glassworks in Bohemia and Moravia. The 12th century saw the arrival of stained glass production. Stained glass, another form of colored glass, was made by adding metal impurities. Church and monastery applications of stained glass can be traced back to examples that remain today, i.e. St. Bartholomew church in Kolin. A glass wall mosaic is preserved there from around 1380.

Venice became the dominant center for glassmaking during the 14th century. Here new glass making methods were developed and export trade such as mirrors, tableware, and decanters flourished. Secrets of glass making were highly guarded in Venice, but eventually glass workers moved to other areas of Europe taking their knowledge and skill with them. As ornate glassworks became more popular, Royalty began ordering decorative glass articles to be made, to give as gifts of distinction for occasions.

A technique called "the Crown glass process" was used to make glass until the mid part of the 1800s. A glassblower would spin around 9 lbs of molten glass at the end of a rod until it spread out into a flat disk nearly 5 feet across. The glass disk would then be cut into panes. Glass from Venice was highly prized for over four centuries as they managed to keep this technique secret. In 1688, a method for casting glass was invented. This led to glass and glass panes in becoming a much more common material. The glass pressing machine was invented in 1827 and facilitated mass production of relatively inexpensive glass items. The glass pioneer, William J. Blenko, is recognized as first glass producer in America to use the cylinder method of creating flat glass by the 1920s.

The Bohemian countries of Czech and Slovakia are still known today as two of the finest cut glass and cut crystal producers in the world. Cut crystal pieces are prized as elegant anniversary and birthday gifts.

Author:John Simon
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Find works of art

Sunday, August 2, 2009 · 0 comments
A church with a valuable and interesting works of art can be found

Art is a subject on that one quickly can also argue, because not everything that one feels as great art, is also used by other people perceived as works of art. So should it also be because of the artistic field is an area where everyone can be omitted, as they like. In the past there were very many well-known artists whose works of art today in many churches and museums, even more can be admired. They are just in a museum in a great many works of art to see, because there are many museums that deal with a specific art direction, or even with a certain performers.

There are also museums that are thematically not only to do with art have always exhibits the works of art by a particular artist whole show. But not only in a museum you can admire art, because there are also many churches in which it is the most beautiful works of art on display there. In general, it is a church for the architecture, as works of art is understood. This refers to the interior as well as the entire shell of the church. In addition, the interior works of art as a means, as the impressive altars in churches are often very artistically designed. The works of art in a church as well as from a museum in an inventory taken. This list this as proof that a particular works of art in the Museum or in the church was, if something is stolen. The inventory must be very concentrated, and above all will be carefully implemented.

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Ways to Make Money - Sell Your Art

Monday, June 29, 2009 · 0 comments
So you want to sell your art? Want to make extra money? Interested in finding effective strategies that will increase your bottom line?

Selling your artwork or your crafts is an incredible way to increase your income. Although it may seem like a daunting task at first, the reality is that there is always a market available for your products. Here are some effective techniques that will help you facilitate sales of your art.

Create a Collective Let's face it. You are not the only one in your community who has slaved over their art, creating incredible pieces, hour after hour. Chances are there are people on your street who are also artists. Try to seek out artist neighbors and friends who also might be interested in making money by selling their art. Approach these individuals to see if they would be interested in coming together for a collective art bazaar. Find a yard or a parking lot that is large enough. Advertise in local resources, on the Internet, or in coffee shops. In a sense, you are creating your own outdoor market to sell your art.

Local Cafes How many times have you walked into a cafe and seen art for sale on the wall? Or--better yet--how many times have you walked into a cafe and not seen art on the wall? Either way, approach the owner or manager of the cafe with some of your pieces and tell him or her that you would be interested in selling your art to the cafes customers. This is a win-win situation. You will bring in money once your art sells. And the cafe will not only have wonderful art hanging on their walls, but--obviously--they will benefit financially from the sale of your art. It is important that you negotiate a fee that you will pay to the cafe for each sale.

Flea Markets & Other Festivals Obviously, this is the most expensive route, but it also might possibly be the most financially lucrative. Flea markets or other festivals--such as municipal arts and street fairs--will bring thousands of people by your booth each day. And if only a fraction of the people decide to purchase your art, you will still make good money. Even if few sales come from the market, you will have increased your exposure to the community. Even if sales are not made initially, fellow community members might search you out in the weeks following to purchase your art.

Making money by selling your art is incredibly feasible. The number one thing that you need to do though is take action! No one can see your pieces if they are sitting stacked in your studio or in your garage. You need to get these portraits and statues in front of potential buyers in order to make a sale!
Author : J.R. Shanley
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Smoke Gets in Your Eyes - The Art of Raku

Saturday, June 27, 2009 · 0 comments
Raku is derived from an ancient Japanese method of firing ceramics. A technique that creates unique patterns on the glaze. The unique pattern of colours and metallic finish comes from the interplay of flames, smoke and rapid cooling. Raku is strictly decorative and may not be used as food ware. No two pieces are ever alike. Each raku potter uses the same type of firing techniques, but individual styles are vastly different and each piece is certainly one of a kind.

The Raku firing technique differs from almost all other pottery techniques. Unglazed bisqued pottery is glazed and put into a raku kiln. The kiln is custom built in most cases as it will be opened at peak heat of the firing. Unlike traditional ceramic firings in which the pieces are loaded in a cold kiln and slowly fired until the desired temperature is reached. Then the kiln is shut off and cools down until the pieces can be removed.

Most kilns are built or jerry rigged to work. By that I mean custom built to open at the high temperature needed to accomplish this method of firing pottery. The kiln is loaded and fired between 960 and 1020 C depending on the glaze, technique and application. This is the temperature point at which the glaze reaches a mature state. Experienced Raku potters are able to visually know by glaze melt that the firing is achieved. Now things get exciting.

When the firing is completed, the pieces are immediately removed from the hot kiln, with the glaze still molten. The pieces are then placed in a fire proof container. The container can be steel or concrete and should be as air tight as possible. The container is lined with your combustible materials sawdust, paper, straw, leaves, pine needles, hay, peat moss and or newspaper. When the kiln is opened an instant draw from the kiln, the thermal shock will provoke cracks which will be revealed with the smoke produced by the burning sawdust etc. Carbon is driven into the crackle patterns of the glazes created during cooling
in the can.

The can containing the hot pottery is quickly covered allowing reduction to begin. Leaving your piece in this state for up to 20 minutes will produce very different effects throughout the process. It takes some experimentation to achieve what you are hoping. Each piece is unique to the next. When the piece is removed again it can be left in the air to cool slowly which will continue to apply effects, or placed in a water bath to arrest the effects and cool.

When the pottery is cool enough to handle it is washed. If there is tough carbon you can rub softly with a very watered down grog or fine wet dry sandpaper.

Current experiences with raku have only led to more questions. How much reduction is good? What combustibles do I need to use? How much material at a time? The potters answer to all of these questions. Whatever you need to accomplish the finish you are looking for. So I continue to experiment.
Author:J McEachern

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What Do We Need to Understand of the Art Surrounding Us in Order to Help Us Appreciate It?

Tuesday, June 9, 2009 · 0 comments
Art abounds nowadays universally in so many unique guises. Therefore, fascinatingly enough there ought to exist something to agree with everyone. Personal good taste is a matter of outlook, so in truth it does not matter if you are knowledgeable or a beginner to art.

As a race the Chinese and Japanese commonly make use of black and white to communicate themselves. They create their appealing works by means of a brush in addition to ink so skillfully applied to form these drawings.

Brushes,indeed, made of hair including a very fine tip, perfect for their delicate work, with a bamboo handle.

How fantastic then were the actual paintings of Zen. We ought to gaze no further to encompass an approval of this nature of art. When they draw and paint they brush on a wash before they paint later carefully with ink.

Not only do they appear very true to life, they often give the feeling of actual movement in the creation. How sensitively they have to apply their brushes to acquire this fragile result. Even so these identical brushes are used for Writing. .

If you are looking for true to living type art I do not sense you would probably decide on Expressionism. To many this might appear pretty crazy as it comes in very peculiar representations. All in all letting your thoughts go outrageous and approach to give an unusual outlook on subjects.

So many odd shapes which also often appears extremely curious and difficult to figure out. Van Gogh seemed to get it totally expressing his strange outlook on any amount of distinctive subjects.

How repeatedly we all marvel at the works of Monet and his superb landscapes amid additional pictures. Fascinatingly enough they come into view as a succession of dots and dashes which subsequently shape the image. This is called Impressionism.

These certainly are appreciated universally. His motivating flowery and water scenes are a characteristic case and where the light in reality reflects on the painting. Interestingly enough they become visible as a series of dots and dashes which then appear to join up. This style of painting is Impressionism which heralds from the 19th Century.

If we go back to the 17th Century on the other hand with the Dutch Masters, about this age, I believe Still Life was born. This technique was very straightforward to identify with as customary items were portrayed. I cannot help weigh up how well ahead some of these artists were in their thoughts.

Even though we might understand the subjects chosen, normal objects are not always easily achieved, such as dishes of fruit, tables and seating as examples, as to begin with you require an interesting background. What a rich talent these artists possessed.

We have all admired the intimate lifestyle enjoyed in Paris and captured by the likes of Toulouse-Lautrec. He had a really good life with the other artists, dancers, theatre artistes, in fact the entire Paris scene.

What about Monet who shaped such intensely coloured and outstanding landscapes, and natural creative scenes. In spite of that he did not halt at this seeing that he also loved doing incredibly comical caricatures largely of his acquaintances.

Then again, there are so many fine celebrated artists. Take Renoir, Paul Klee, J.W. Turner. Pablo Picasso, these are just a few and there are many more up and coming artists we are nonetheless to learn about.

For individuals who enjoy art, first-rate examples to be recommended are to be seen all over Barcelona in the works of Salvador Dali, which seem to spread all over this city. To look at these one surely feels his brain must have been overloaded. Today we have expressionism in so many art forms from landscape paintings all the way through to sculptures!
Author:Anna Meenaghan
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Ancient Greece Art - Cycladic Sculptures in the Greek Islands

Sunday, June 7, 2009 · 0 comments
Cycladic sculptures are thousands of years old and yet look eerily modern. A face with no facial features, except the nose, is not exactly how we think of ancient Greek art. Cycladic art came to prominence during the twentieth century. Unfortunately that started a period of looting, which destroyed the possibility of putting the sculptures in any kind of location or archeological context. To this day we know very little about Cycladic art. A measure of its growing importance is the existence of the Cycladic Museum located in the heart of Athens, Greece.

The Greek islands of the Cyclades are located to the South East of Greece and to the North of Crete in the Aegean Sea. There are more than two hundred islands approximating a circle around the most significant island Delos, the birthplace of Apollo, Greek God of music and light from Greek mythology and of Artemis, the huntress. The Greek name for the Cyclades is Kyklades, an obvious reference to a circle. During the period between 3200 and 2000 B.C. the small Cycladic islands in the Aegean became home to a flourishing culture. The most prominent craft in Cycladic culture was stone-cutting, especially marble sculpture. The abundance of high quality white marble on the islands encouraged its use for the creation of a wide range of artifacts. Among these, Cycladic Figurines are the most distinctive Cycladic creation because of the style, the great numbers in which they are found, and the significance they held for their owners. The majority of Cycladic Figurines show women, nude with the arms folded over the belly and the long feet, soles sloping downwards. We do not know whether they were meant to show mortals or deities, but probably symbolized the worship of the 'Mother Goddess'. In this case, the figurines may have been conceived as representations of the Goddess, or companions to her. Many figurines have been discovered in relation to burials as the Cycladic civilization flourished and burials became more elaborate to reflect status.

There have been recent discoveries (in the last five years) of piles of buried and broken statues and pottery, as if the breaking of the statues was a feature of some unknown ancient ceremony. This ritualistic behavior appears to be centered on the island of Keros in the Cyclades. Also, hidden deposits of broken pottery and figurines have been found on islands around Keros, many fragments brought there from other locations. Why would the Cycladians do that? To what end? The mystery surrounding Keros, the Cycladians and their art deepens as archeologists sift through clues of human history and behavior. To this day Keros and surrounding islands are home mainly to archeologists attempting to explain one of those mysteries of human behavior and human art that drive us with a 'need to know'. Art, in all forms, leaves behind a legacy of a civilizations history, behavior, values and intrigue. Fortunately for us it also provides beauty that only human civilizations can produce.
Author:Art Twomacs
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Do you have the bottle To Collect Art

Thursday, May 28, 2009 · 0 comments
The headline reads "Undiscovered master piece sells for millions at Auction". The family was overjoyed to discover that a picture that had hung on their grandfather's wall for years attracted a six figure price at auction. Grandson and heir said "The whole family knew he collected odds and ends but we never envisaged it would amount to anything".

Ok the above is fiction, but it's what's at the back of the majority of collector's minds, especially those who collect art. Buy it cheap and sell it for squillions. Just don't rely on it as your retirement fund. In many respects it is a lottery, your betting your collection decision against that fickle beast, public opinion. The beauty of the art collecting lottery is you can hang the ticket on your wall. A win, win situation, your wall decorations are working for you and all your friends can admire your taste.

Now that can be scary, because 90 out of 100 people know damn all about art. If it isn't chocolate box pretty it isn't art, right. Wrong, have a look at the masters of art in your local museum or better still here on the internet and see how many pretty pictures you can find. Look at Picasso, Gauguin, Pollock, Matisse, Cezanne or Van Gogh to mention a few. It's Ok, I'll wait.

Not much prettiness there. What is there is life, both the depiction of it and in the picture itself. There is an energy that radiates from art and if you allow it that energy will take you places you have never been before. But be prepared, it will confront you, it will challenge you, it is opinionated and isn't afraid to speak its mind, it is prepared to stand up and be counted, it is art.

As such it is in the vanguard of human experience, it is raw, it is fresh and new. It isn't the tried and true of recipes of yesterday rehashed, it is pushing the boundaries. In the 21st Century it is computer generated art in all of its many and varied forms. Be it fractal art, manipulated photography or cartoon cells, the collectable artists of today are using a keyboard and a mouse. If Michelangelo were to paint the Sistine Chapel today you can bet London to a brick he wouldn't be using intonaco. Now as then he would be using that latest technology available to him.

For the collector this just adds another level of complexity. Because computer art is so easily reproduced, what does one actually collect? As in the past, collect signatures, preferably from a limited edition. Obviously, the shorter the edition the better. If an open edition with a signature is all you can afford, go for it, it is better than a poster with or with out a digital signature. If your print isn't signed by the fair hand of the artist, as a collectable, it is worthless and that includes digital signatures. It is a $29.99 commodity and barely worth the paper it's printed on. Although the frame may attract a bid or two.

If you consequently come across your print on the cover of Vogue or in a TV commercial for whatever, chances are you're on a winner. That is the paperback of your signed first edition. Assuming of course your print has staying power, for so much of the mass media is based on ephemera. It is the quick hit that attracts attention and while this can be true of art there is a deeper relationship just waiting for your attention in works that can stand the test of time.

For anyone seriously considering collecting art, the pieces to acquire are those you can live with. If you like it from the start that is a bonus though not essential because if you have chosen wisely you will, over time and many conversations, come to love your new found friend. Works of art do become trusted friends and when it comes time to dispose of them it is a gut wrenching experience. This I know for I have been there and done that. When I had to dispose of my collection a few months ago my main concern was that they were going to good home rather than the financial return they could afford me. Consequently the ROI was less than if I had been less sentimental.

Though if ROI is your motivation and you can be hard nosed at the end of the day you will have many hours of enjoyment from your friends upon your walls along the way.
Author:Mary Johnson
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How to Make Your Own Artwork

Sunday, May 10, 2009 · 0 comments
People, at least once in their life, think about what it would feel like to make something unique and made from the heart. Usually, people seek help from professionals especially if they want to make it as perfect as possible. There are also those that take the risk and try to make whatever they can. If you want to create a metal artwork, you must seek sculptors or artisans since they know how to make this.

For starters, you can sketch your design on a piece of paper so that the artisan will know how to start the project. Before getting hands on experience, observe how the person makes the artwork. You might have to carry out this too when the need arises. More so, ask questions so that you can fully understand what it is like to make the artwork. Listen attentively to what he will teach and tell you because you will do most of the work. He will only be there to guide you and correct the wrong procedures that you are doing.

After that crash course about metal artwork, you still have to prep your materials. If you will use fire, make sure that the source is already ready to use. You must also ensure that the other materials like the metals, alloys and the likes are also within arm s reach. Instruments such as tongs, scissors and others are also important because it will spare your hands from too much work and pain. You have to remember that if the artisan does not provide your materials, it is your duty to buy and find them. You can ask the help of others for you to get the best of the best materials for your artwork.

Once you get everything prepared, it is now time to start creating the artwork itself. Let the artisan start it for you so that you will be able to know what will come next. If you are uncertain, it is always good to ask for help. Trying to pretend that you already know what to do might end up only in disaster. Accepting one s flaws and shortcomings is one of the things people need to practice. Not everyone can tell the other person that he is not knowledgeable about something.

Just try to have fun while making your very own metal artwork. Despite the sore arms and legs, try to keep in mind that after you made this, you will feel truly proud of yourself. You must also be thankful for the artisan who helped you out in completing this task. Surely, this is an experience worth remembering so make every second count. Do not think about how many more hours you have to make this or the money you spent for the materials. The newfound knowledge and the artwork are two things priceless. No one can put a value on this one of a kind experience that you undergone. More so, you can now tell your friends about this road less taken. This is something worth cherishing forever.
By : Alyssa Davis
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Art Master Mirek Klabal: your guide to buy the art masterpieces!

Friday, March 13, 2009 · 0 comments


Art has different meanings for different people. But one thing is common for all; everyone loves and appreciates good art. Again good art also holds different meanings for different people. Well, it all boils down to individual choice and selection. So, if you want to buy a piece of art then you must know whom to approach. Yes, the art master is the best guide for you in this matter. Mirek Klabal is a New York based art master and dealer who has been helping people by showcasing the best art and helping them in buying them.

The art world is infested with fraud art masters and this is exactly why you have to make a proper selection when looking for a reputable and knowledgeable art master. So ask many questions about the art dealer before you set about buying a piece of art from the dealer. Dealing with Mirek Klabal means that you are tension free during every step related to the purchasing of art.

Mirek Klabal has art galleries located in New York, which has a huge collection of art masterpieces. If you are looking for Chagall, then Mirek Klabal has a huge collection from which you can buy. He has a huge collection and so you must be wondering why on earth someone would share his or her collection of Chagall. Well this is where Klabal is different and way ahead form all the other art maters and dealers who are working as art dealers.

Klabal firmly believes that sharing things with others, whether its art or any other thing, is a source of great joy. He is one person who believes in really doing what he feels, not like other art dealers who say great things buy fall shy of actually executing it. Just make sure that you make a wise choice and do not fall prey to fraud art masters and dealers while buying a piece of art.

You must be very careful when buying Chagall or any other art masterpieces due to the presence of a large number of fake art pieces. Well, it is so easy to get duped if you do not posses proper knowledge about the art masterpiece that you are purchasing. You may think that you have made a great bargain and deal only to find that the piece of art is absolute fake. Leaving aside the monetary loss, you will feel cheated and hurt if you do not get the original piece of work done by your favorite artist, so take great caution beforehand.

Art master Mirek Klabal is a great source for you to go to buy the kind of art that you have always wanted to possess. Mirek Klabal works in conjunction with different art dealers and mostly works towards selling masterpiece art to customers. He is a great person to go to get advice from about whether or not another art dealer is a fraud.
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